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Sevigny’s right on the money, because “Kitty” requires its audience to surrender to the magical nature of the story the budding filmmaker has crafted. “I wanted it to read the way I wanted it to look, so it would have this fairy tale-ish, otherworldly tone that was descriptive but left something to your imagination,” Sevigny added. Directorsīest Movies Never Made: 35 Lost Projects from Christopher Nolan, Quentin Tarantino, and Moreĩ Inspiring LGBTQ Short Films from Rising Filmmakers The Music of 'Russian Doll' Holds Together the Show's Humor and TimelinesĬannes Critics' Week Unveils 2021 Lineup: 13 World Premieres, No U.S. Downloading Final Draft was more difficult than the script,” she explained. “I sat on the beach and downloaded Final Draft on my iPad and wrote. While filming another project in Florida, Sevigny finally decided it was time to turn her long-held dream into a reality. READ MORE: The 2016 Indiewire Cannes Bible: Every Review, Interview and News Item Posted During the Festival That had a lot to do with my confidence and schedule and where I was in my life.” “I’ve been wanting to direct ‘Kitty’ for 20 years,” Sevigny recently told Indiewire. And it wasn’t hard for Sevigny to write the script once she set about doing it, after dancing around the project for, oh, about two decades.
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Her 15-minute short “ Kitty” will make its debut at Cannes’ International Critics’ Week later this week, where Sevigny is the only American director to screen her work in the lauded sidebar. It wasn’t hard for newly minted filmmaker Chloe Sevigny to write the script for her directorial debut.